Showing posts with label #mcrlitfest. Show all posts
Showing posts with label #mcrlitfest. Show all posts

Monday, October 18, 2010

Pascale Petit: inspiration, writer's block and cloning



Ahead of Pascale Petit's event at The Manchester Art Gallery on 19th October, we asked her a few questions about influences, inspirations and alternative careers. Here are her answers:

MLF: What are you reading at the moment?

PP: Gauguin’s Letters from the South Seas and Handbook of Polynesian Mythology (I’m about to work in the Gauguin exhibition at Tate Modern teaching my Poetry from Art class), María Sabina edited by Jerome Rothenberg, Eduardo El Curandero: The Words of a Peruvian Healer, and The Time Traveler’s Wife by Audrey Niffenegger.

MLF: What made you want to be a writer? Who/ what is your biggest inspiration?

PP: Keats’ ‘Ode to a Nightingale’. I first heard this read out by the teacher at school when I was fifteen and it spoke to me. It was the deepest, saddest and most mystical thing I‘d heard. I knew then I wanted to write poetry.

MLF: If you could meet any writer, artist, musician (alive or dead) who would it be and why?

PP: I’d like to meet Fray Cesáreo de Armellada, a Venezuelan monk (1908–1996) who lived with the Pemón tribe of Venezuela’s Lost World and compiled a Spanish/Pemón dictionary. He also wrote transcripts of their myths and chants. I have a longstanding obsession with the otherworldly table mountains of that area and the Pemón know them intimately. He lived with them for many years and I’d loved to be able to talk to him about their culture and relationship with that landscape.

MLF: What would you be if not a writer?

PP: A visual artist. I was a sculptor for the first part of my life and trained in fine arts, but gave that up to concentrate on writing. If I could clone myself and have double the time and energy I’d do both.

MLF: Do you ever get writer's block? If you do, how do you get over it?

PP: Yes I do. I read poems that excite me and search for new discoveries, including poets in translation, or I go to exhibitions, or I travel, sometimes somewhere remote. I read non-fiction books and may get ideas from these – books about all kinds of passions of mine that can lead to poems, lots on myths, natural history, artists, ethnography. I also try to tell myself that it isn’t a block but a transition and hopefully poems or even new directions are gestating.

MLF: Which piece of your own work are you most proud of?

PP: That’s hard to answer because I’m never satisfied with my work. I guess though that my own favourite books are The Zoo Father and What the Water Gave Me: Poems after Frida Kahlo.

MLF: What do you see in your future?

PP: I’m working on my first novel and hope to finish it next year. I also want to write short stories. As for poems, I’ve no idea what comes next now that I can no longer write in Frida Kahlo’s voice! Maybe something will grow out of my novel and the research for that. There is a lot of material floating around in my head.

MLF: What are you looking forward to most at MLF?

PP: I’m really looking forward to reading at Manchester Art Gallery. I visited the Angels of Anarchy exhibition there recently and adored it and the gallery space. I wish I could stay for other MLF events, but have to go there and back in one day from London as I’ve a lot of travel for readings that week.

Don't miss Pascale read from her poerty collection What the Water Gave Me: Poems after Frida Kahlo tomorrow (19th October) at Manchester Art Gallery. Find out more/book tickets here.


Wednesday, October 6, 2010

Sophie Hannah hopes Kirstie and Phil would approve!

Next in our series of Q & As with writers who are appearing at this year's MLF is leading psychological crime writer Sophie Hannah, who hails from the not so far away Didsbury.


MLF: What are you reading at the moment?

'The Battersea Park Road to Enlightenment' by Isabel Losada. It's the memoir of a woman who sets out to become enlightened and tries everything from 'Find Your Inner Goddess' workshops to colonic irrigation. I bought it because I recently read Elizabeth Gilbert's spiritual memoir 'Eat Pray Love' and absolutely loved it, and so I thought I'd try and read about other people's journeys to enlightenment. When I'm not reading crime fiction, which is my staple diet, I like to read new agey stuff. My favourite ever spiritual enlightenment book is Eckhart Tolle's 'The Power of Now'. I should point out that, personally, I'm not very enlightened - I still enjoy bitching about people I don't like and doing the wrong thing when it suits me - but I find the whole subject of enlightenment fascinating.

MLF: What made you want to be a writer? Who/ what is your biggest inspiration?

SH: Books have always been so important to me as a means of escape from whatever I can't control and/or don't like. When I started university, for example, I hated my course and just didn't want to be there at all, so I 'escaped' by spending as much time as I could immersed in Ruth Rendell's Inspector Wexford mysteries. Quite seriously, without Wexford I'd have dropped out and gone and trained to be a hairdresser. Luckily, I didn't, and so I was still at university when they started a Creative Writing course as part of the English degree, and from that moment on I was fine. But I wanted to be a writer, and still want to be, because I feel that there's hardly anything in the world that's as important as books. As Morrissey once said, 'There's more to life than books, you know, but not much more.' My biggest inspiration is real life - I wander about with my antennae permanently ready to receive, and I constantly see and hear things that inspire me. In terms of other writers, my biggest inspirations so far have been Enid Blyton, Agatha Christie, Ruth Rendell, Nicci French, Tana French and Robert Goddard.

MLF: If you could meet any writer, artist, musician (alive or dead) who would it be and why?

SH: I'd be too scared to meet my idols - the writers or artists that I considered to be legends. Put me in a room with Ruth Rendell and I'd freeze completely, then worry forever that she thought I was an idiot. But, if I could guarantee the meeting would go well, I'd love to meet: Ruth Rendell, Agatha Christie, Eckhart Tolle, M Scott Peck, Jerry Seinfeld - and I'd love it if Phil Spencer and Kirstie Allsopp would come round to my house and tell me whether or not, in their opinion, I bought wisely. I should point out that I've already met my other favourite writers - Nicci French, Tana French, Robert Goddard, Val McDermid and many others.

MLF: What would you be if not a writer?

SH: A singer, or something in alternative/energy medicine

MLF: Do you ever get writer's block? If you do, how do you get over it?

SH: No, never. But I suffer permanently from an associated condition: housekeeper-writer's block. I sit down to write and then can't concentrate because I know a load of clean washing needs to be sorted and put into drawers, or we've run out of Cheerios. If I had a team of staff to run my house (or even a husband who picked up his own socks occasionally), I would write and write and write - I never run out of ideas, and I'm not scared to write something that's imperfect, which I think is what freezes a lot of writers in their tracks. I write something okay-ish and then work on it to make it good - that's always been my tactic. It's too much pressure if you tell yourself it has to be brilliant straight away.

MLF: Which piece of your own work are you most proud of?

SH: My latest novel 'A Room Swept White'. It's a psychological thriller, like my others, but, although it's totally fictional, it's based on and was inspired by cases such as Sally Clark, Angela Cannings and Trupti Patel - women who each lost more than one baby in what they claimed all along were cot deaths, and who were then accused of murder by police and many doctors, on the grounds that (to quote one leading paediatrician) 'One cot death is a tragedy, two is suspicious, three is murder'. This issue of cot death mothers who might or might not be murderers is hugely controversial, and most people who take any interest in it at all have an axe to grind - they see it as a battle between sides, and are either on the side of the mothers or the side of the doctors. I wanted to write a balanced, non-judgemental book about this hugely important subject because it seemed to me that there aren't any bad guys here. The doctors are trying to protect children - although they might get it disastrously wrong sometimes, their intentions are good - and let's face it, a lot of children need protecting. And these women accused of murder are either innocent or have smothered their babies in desperation, often as a result of post-natal depression, or they have serious mental health issues - in either case, I don't think they can be put in the same categories as 'ordinary' murderers. It's interesting that many in the legal profession don't think mothers who smother their infants should ever stand trial in the criminal courts.

MLF: What do you see in your future?

SH: Well, my sixth psychological thriller, 'Lasting Damage' is out next February. Here's the blurb:

It’s 1.15 a.m. Connie Bowskill should be asleep. Instead, she’s logging on to a property website in search of a particular house: 11 Bentley Grove, Cambridge. She knows it’s for sale; she saw the estate agent’s board in the front garden only a few hours ago.

Soon Connie is clicking on the ‘Virtual Tour’ button, keen to see the inside of 11 Bentley Grove and put her mind at rest once and for all. She finds herself looking at a scene from a nightmare: in the living room there’s a woman lying face down in a huge pool of blood. In shock, Connie wakes her husband Kit. But when Kit sits down at the computer to take a look, he sees no dead body, only a pristine beige carpet in a perfectly ordinary room…

Beyond that, I will certainly carry on writing crime novels - and poetry, because I'm also a poet. I'm also working on a couple of ideas for TV series. And my third psychological thriller, 'The Point of Rescue', is being filmed very soon - starring Olivia Williams from 'The Ghost Writer' as Charlie Zailer. It will be broadcast on ITV1 next year. Their intention, assuming enough people watch the first one, is to make a series of all the books a la 'Prime Suspect', so if that happens I will possibly be involved in that too.

MLF: What are you looking forward to most at MLF?

SH: Doing an event with Val McDermid, at the beautiful Whitworth Art Gallery. I love Val's Tony Hill and Carol Jordan novels, and it's a huge honour to be doing an event with her.

You can catch Sophie Hannah and Val McDermid at our Women in Crime Fiction event, Friday 22nd October, 7:30pm at The Whitworh Art Gallery. Tickets are £7/£5 concessions. See you there!

Kirsty Young (Digital Marketing Assistant)

Tuesday, October 5, 2010

Send Postcards From Manchester, with the help of acclaimed poets Mandy Coe and John Siddique



Saturday 2nd October 2010, 11am 4pm


Oxford Road's award winning Manchester Museum is the venue for today's informal poetry writing event Postcards From Manchester; also part of The Manchester Weekender.


The city is unexpectedly busy as the event coincides with the University of Manchester's open day. The glassed entrance to the museum allows a steady stream of visitors to enter, many of whom stop at the first table, arranged attractively with a selection of Manchester Literature Festival postcards and leaflets. Whilst some move forward to take part, others take a souvenir postcard and hastily shy away.


The museum's brilliant-white, airy atrium is set up with two rectangular tables kept apart to provide pockets of privacy, amidst the busy museum entry point.


Mandy Coe and John Siddique are already engaged in activity.


John, well known for his work with Key Stage 2 classes, is surrounded by six or seven attentive youngsters, captivated by the poet's lively charm; biros eagerly at the ready. He is heard putting one tiny participant at ease with this helpful advice: "Don't be scared to think for a minute; and the idea will easily come to you".


I sit beside Mandy Coe. She speaks of her work as a freelance educationalist, just as a father places his son and daughter directly in front on Mandy. The boy looks disinterested, rocking uncomfortably on his chair.


Mandy starts off by asking, "What is the most interesting thing you have seen today?".


The boy immediately replies that it was the dinosaur. He now sits up. He is of course referring to the fossils of Stan the T-Rex in the Pre-historic exhibition. Mandy begins to construct the poem, using the words of the siblings. She then asks if the dinosaur had spoken to them. They both look at each other and shake their heads immediately; the bones obviously couldn't talk.


However Mandy doesn't give up, and in her engaging manner, pushes the children to imagine that if the dinosaur could talk, what would he have said?


"I want to have you for my dinner!" The boy shouts, confidently edging forward.


Mandy adds this fun new dimension to the poem. Mandy asks if they managed to escape this horrible death.


The boy replies, "Of course we did, we fell through the holes in the dinosaur!".


Crashing back to reality, we now picture the two escaping through the narrow gaps in the skeleton's ribcage. The girl confidently determines the postcard's recipient and begins to fill in the address; the boy follows hurriedly, taking pride in his sloping handwriting.


Mandy, just about to start me off, is disturbed by a be-spectacled lady who pronounces herself as a fan and an avid reader of Mandy's collection, her favourite being The Weight of Cows. The lady defines herself as a terrible writer, and Mandy immediately dispels such talk, enforcing us to believe that we are all poets. Mandy asks the lady to think of a colour she had noticed today. The lady's poem now begins with, "California blue fallen to the floor," alluding to a banner she had seen this morning. She continues her poem, inspired by the impressive golden Buddha sat peacefully behind us.


Mandy draws me into a conversation and encourages memories of my student days in Manchester - fitting, as I observed the new generation of students, maps in hand, overwhelmed by the scale of the City. Mandy decides, "I'm just going to write what you said". She captures my observations of leafleted pavements, the curry mile at 3am and the swarming students arriving today.


I am a little distracted as I hear an austere gentleman moving forward, announcing the arrival of his two creative writing students who are here to work with the poets. They are ushered over to John Siddique, who is just about finishing with another set of lively youngsters. John has certainly proven his versatility.


With the help of Mandy and John, Postcards from Manchester manages to simultaneously allay our fears of the blank page and encourage the expertise of the more skilled writer. We are shown that writing poetry comes from observation, open conversation and most of all, from the simplest experience.


Mandy and John masterfully draw out that inner poet (it seems we all have one!), with their modest, 'anyone-can-write' attitude.


Links for further reading


www.creativetourist.com/news-and-blog/something-for-the-weekend-the-manchester-weekender-1-3-october



www.johnsiddique.co.uk



Shaheeda Patel


I currently work as a Teacher of English and Drama in Lancashire. I have also worked on literature development projects through Time-To-Read and Lancashire Libraries.